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NZ
Herald Review of Shirley Valentine
Shirley
Valentine at The Pumphouse
11.09.2003
By FRANCIS TILL
Since
the film came out in 1989, Willy Russell's 1986 one-hander Shirley
Valentine has fallen a bit into disrepute as a perennial flower
of rather ordinary dimensions.
It
is far from ordinary, however, for all that it may have wilted
a bit in age; perhaps much like Shirley Valentine herself.
The
story is familiar to most. Shirley Bradshaw, nee Valentine (Nancy
Schroder), is a fossil of the energetic girl who married Joe
too young and raised children who have largely forgotten her.
We meet her while she is cooking eggs and chips for Joe, who
demands the plate hit the table as soon as his foot crosses
the threshold on returning from work. She confides her story
to us, as if we were imaginary mates, turning now and then to
speak to her oldest confidante, the kitchen wall.
There
is great humour here of a profoundly English working class variety
as Shirley reveals herself to us slowly and without any pathos
as a woman rendered intangible by the relentless wash of her
small life's tides, one who finally takes her own rescue in
hand.
The
play has all the hallmarks that have turned Willy Russell into
one of Britain's most-performed playwrights: a great love of
working class humanity, a dedicated ear for the spoken word's
richness and consummate one-liners. Too honest to be "light"
and yet too optimistic, ultimately, to be "serious",
Shirley Valentine fits an in-between space that opens doors
on hard truths without forcing audiences into reflective fugue
states.
Dated
as many references in the play have become, Shirley is still
a recognisable woman caught in a still believable trap; but
as the play gets further from the moment of its conception,
it becomes more difficult to make a production succeed. Newcomers
the Real Theatre Company rise to these critical production demands
beautifully under the direction of David Coddington. It is Nancy
Schroder, however, who makes this a performance not to be missed
by bringing every possible nuance of Shirley delightfully, intimately
and completely to life.
Godspell
Dear
Real Theatre Company
I
organised a group of 75 plus parents + children to attend Godspell
which you put on [as a matinee performance] in June 2003. the
show was superb - great drama, wonderful actors, lively music,
colourful costumes. It was an action-packed 2 hours. The dramatic
production was professional and fun and I had many comments afterwards
about the performance from other parents and children.
Thank
you for putting on the show and for allowing our group a chance
to see real theatre close up. I hope we can see more of this type
of theatre more often. Our children and their friends feel enriched
for the experience.
Please
thank the actors, performers and musicians .
Kind
regards
Mary
Fletcher
(Homeschool Mother and event organiser)
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